mark knights much anticipated toolroom knights 2.0 mix compilation is due for release monday 1st june. the double pack vinyl sampler is packed full of exclusives and killer tracks, its the perfect soundtrack for this summer.

spring 2009, david vunk s moustache records delivers you the new moustache featuring: a1 electrick dragon - breakway. this dark emo-electro track will rock the planet. a fat electronic beat along with talking vocoder synths and beautiful chords. produced by the best kept secret producer from rotterdam. a2 lucy montenegro - lucy loves hairy boys. lucy is hott and she rocks, we all know that. in this electro italo-influenced track lucy is dreaming about hairy boys playing jupiter synths and programming dancable disco beats. b1 alden tyrell - what your eyes can do. a very emotional tearjerker all the way. an italo influenced decadance synth track for people who like to dance hom ealone in front of their mirror and cry of happiness. b2 elitechnique - minirimini. we are going back to the future. high energy fat tube compressed beats with arp synths and theatrical italo lines. we re back in rimini, 1986, if only for 7 minutes

our third release is introducing to you more intensely the musical personality of dairmount, founder & a&r of our the label. longtime independent music activist born in belgium (formerly known as philarmonix), dairmount is a natural born “freestyler” who embraced anything soulful & groovy since the late 80‘s, playing & travelling the world for 15 years. hamburg is the city where he settled down in the last 6 years and 2009 marks the accomplishment of his personal dream to found room with a view, shelter of his musical fantasies. friendship & challenge are two values that defi ne phil pretty well so it is no surprise that musical collaborations & versatility tightly express his musical approach and personal ethic. after displaying bass-ment tale, an old school house tribute produced with his partner in crime marino berardi, on the fi rst episode of the perspectives serie, dairmount is presenting subakuatik blues on his fi rst ep. recorded in 2007 with his good friend ralf petter, an “old cat” of the hamburg music scene, this track managed to capture the essence of these great studio sessions : phil’s natural obsession to create hybrid club material & ralf’s amazing engineering skills matching perfectly to create this sub-aquatic dream that resulted in the track name. lost in the world of analogue synths of ralf’s studio, they created a 9 minutes odyssey crossing the lines between deep house, disco futurism & detroit infl uences topped by a surprising “ravy” breakdown. phil approached naturally two of his longtime favorite producers to give their own perspectives of the timeless feel of the original : russ gabriel, who phil has always admired for the depth of his output on ferox, planet e or his own soul on wax, has signed a beautiful version of the track. extremely subtle & hypnotic, this remix is a true blessing & a great pride. mood music’s honcho sasse, old friend of phil, retouched with lots of love & care the track that he went crazy for and even realised 2 vers

moonbootica is something of a legend in their own lifetime. they have played with, produced and remixed the best. names like planet funk, tiga and mando diao are liberally sprinkled across their c.v. following on from their 2005 debut lp, moonbootica released their new ep on work it baby taken from their second album >moonlight welfare<

this is the 4th sampler taken from drop musics incredible triple cd dusk till dawn (10 years of drop music). having recruited some of the best house producers on the planet to contribute their celebration of 10 years of drop music. on this sampler we have inland knights, joshua heath and kinky movement.

2nd album by berlin tresor collective, released in 2002.

timmion records new single brings into light two amazing singers from california. myron and e are truly exceptional musicians with that rare to find star power. their lyrics touch you deep in your heart and soul. their vocals make you feel like you re in heaven listening to a choir of all the great soul vocalists ever graced this planet. together with the soul investigators they bring you pure soul dynamite with that authentic sound you can expect to hear from timmion records. get ready for a dose of real soul music!

2002 classic by ian pooley aka john skipper trax!!! banging chi town style tech traxx!!

this is the 5th record from a set of 6, ranging from atlantikwall 019 to atlantikwall 024. intended to be sold as a set, but were mainly sold separately. all tracks previously released between 1992 and 1997

rare electro classics fom unit moebius. this is the 4th record from a set of 6, ranging from atlantikwall 019 to atlantikwall 024. intended to be sold as a set, but were mainly sold separately. all tracks previously released between 1992 and 1997

rare unit moebius tracks on the vinyl. this is the 3rd record from a set of 6, ranging from atlantikwall 019 to atlantikwall 024. intended to be sold as a set, but were mainly sold separately. all tracks previously released between 1992 and 1997

2 ex-unit moebius members, dramatic and minimalistic industrial planet rock, red vinyl, limited to 100 copies! 9 tracks full of raw elctro power

great um sampler full of rare electro tracks ... part of acid planet 92-97

a dark planet rock and industrial soundscape compilation with hadamard, the pulse projects, erikoismies, star-kid, loyal plastic robot, interfunk and voltron st-727, red vinyl, 100 copies!

santiago salazar, ladies and gentlemen! member of underground resistance, producer of los hermanos, recording artist for planet e. a biography made in heaven. macro pulls the most incredible people these days and theres a method to the madness: >arcade< immediately shows why santiago is known to be one of detroits most forward thinking producers and djs. the chords! the hook! the synths! the drums! finally an anthem thats 0% retro and 100% euphoria. leaving the recent fashions behind, >arcade< spreads all the warmth and enthusiasm one could dream of this year. this is 2009! and if this wasnt enough: hot on the heels of >art of sorrow<, man of the moment stefan goldmann does his first remix for macro! his stunning version is a 15 minute monster. not just a jam, but a fully composed journey from deep reverberation to drum machine fueled peaks to a japanese flute and koto workout. depth on a new level. this is the difference this label makes - others do ambient, cosmic or krautrock. macro does the thrilling stuff.

after the brilliant albums by alex cortex, cim and lucky & easy, now the swedish volunteer dribs comes with this warm brilliant debut album. the ann aimee label specialises in warm, originally crafted, electronica sounds. where the two first albums had a touch of the detroit sound, the album by lucky & easy and this new album by dribs go more along the lines of plaid, autechre and boards of canada. the full sleeve artwork for this release comes again by delta.inc, who gave all releases of the label their remarkable outfits! as introduced with his blending ep, dribs is the newest scout on board. dribs, on earth known as fredrik stling, comes with this full 12 track album with beautiful carefully crafted electronica. all tracks come in gentle and easy, and in sound come most close to arovane or boards of canada. intruiging rhythms, together with the soft beautiful melodies, make this a perfect listening album for the autumn and winter to come. beautiful

the first 2 releases on this ultra funky rolling techno label by boriqua tribez and cave were a huge succes, and now basics is back with the new hit release by no other than david moleon! another big ep that is sure to rock every discotheque on the planet!

whether he is travelling the world dj ing at some of the finest parties on the planet, or producing tracks that gain support from the cream of the world s elite players, noir (a.k.a. rene kristensen) remains one of the industry s most respected and hard working individuals. as 2008 rolls on into 2009, noir remains determined to maintain his status as a significant player and innovator on the scene for many years to come

yin yangs offshoot world series is very succesful so far repressenting all parts of the world. portugal rocked the dancefloors and just has been repressed due to high demands. dj mika is also a big boy in the scene and repressents bosnia. his style is known from labels like innervate, planet rhythm, and many many more. funky techno with an enormous drive bringing energy to the dancefloor. big!

limited to 666 copies - no digital release !! getting already support from paul woolford (2020 vision), nic fanciulli, ewan pearson, peter kruder, ame (innervision), michael mayer (kompakt) , timo maas (cocoon), santiago salazar (underground resistance, planet e, los hermanos), pepe bradock (atavisme)...

after the first release by label head honcho boriqua tribez on his new platform for ultra funky rolling techno productions, basics is back with the new hit release by no other than carl falk! the a-side starts off with sender, a dark percussion and bass driven techno track the way we like it! on the flip we find the track disco crusher, the name says it all, a futuristic funking filter disco techno banger. this ep is sure to rock every discotheque on the planet!

elliot dodge hands over his beloved snapshot reigns for the first time, and what better a man for the job is there than quantec? with a cv that reads like a hall of fame of todays hottest techno labels, quantec aka sven schienhammer is one of the most interesting producers this planet has to offer. a more than fruitful relationship with the styrax label has produced a plethora of hits over recent years added to appearances on the finest dub techno imprints such as echocord, meanwhile, smallfish and francois ks wavetec label. the landingis quantec in his classic form, basic channel style chords, ambient soundscapes and deep, broodings basslines combining to stunning effect. elliot dodge provides a remix in his classic style. limited to 500 copies for the world!

a new killer selection from the dclassics crew vault... another 4 tracks to die for in their rare original versions, gently and respectfully remastered for full jazz dance classics decerning dancefloor action... maybe the rarest release so far for the soul all timers... impossible to find sweet popcorn part1 and 2 pasted together for incredible drumbreak thru original moog filters action. on the bside, and for more drumsound, we ve choosen to release the killer atmospherique jazz drum number hallucinogene, a beat diggers delight and very hard to locate these days. to top it up nicely, you ll get a psychedelic sitar dancefloor winner, and an amazing planet of the apes cover version for the headz.

debuting with >i believe< on the monumental (10 records) compilation >techno 2: the next generation< (alongside carl craig, marc kinchen, and jay denham) in 1990. octave one is the brainchild of the phenomenal native sons of detroit, mi (usa), the burden brothers. the band, (made up of lenny burden and lawrence burden), have had the privilege of touring live and djing throughout the world, including the countries of germany, spain, greece, belgium, vienna, the netherlands, the uk, ireland, scotland, malaysia, japan, the us, and russia, among many other places. throughout their careers they have worked with such artists as derrick may, underground resistance, juan atkins, anthony shake shakir, among others. they have remixed tracks for such artists as massive attack, akabu (joey negro), dj rolando (jaguar), steve bug, john thomas, the trampps, rhythim is rhythim, and inner city. two years of live touring and three years of recording come together for the brothers latest musical offering. reaching back and rejuvenating their pure electronic detroit sound, o1 produce a dance floor heavy techno journey. >summers on jupiter< showcases the burdens signature rough and tumble production style. several tracks are already gracing the decks of the likes of jeff mills, laurent garnier, carl craig, richie hawtin, and claude young among many others. to celebrate their first studio album in four years, octave one take the electronic beat down on the road through 2009.

part 2 of the simple, maybe release reveals the dark side of the brothers schwarz. yeah ought to be taken literally. batten down the hatches and turn up the volume, here comes a true masterpiece. naturally, tiefschwarz have saved the banger until last. there are not many tracks out there, which make you get up and dance after two bars already. the basis of yeah is a perfectly orchestrated drum beat. a steady bass drum, rolling toms, a crisp snare, all together powered by a low-pitch synth sample in the background. a sound, that is as offensive and sentimental as possible at the same time. add a well-filtered choir sample on top and you get a deepness and amplitude that can only be mastered by the finest soundsystems on the planet. like looking through a burning glass, the break shows what tiefschwarz are really all about with this track: gradually, all sound elements are shut down, overlayed by white noise that comes with goosebumps guarantee. this spring, youll better be on the dancefloor, when the drums set in again! deininger on the b-side is an almost gloomy track, driven by a dark deep-house bass line. once again, tiefschwarz play with a wide range of elements: an off-beat synth wind section, dry tinker bells and sliced vocals, well-orchestrated by a fine mix. all together this creates the perfect atmosphere for a monday morning sun rise. exhausted, dried-out, longing for your bed and a glass of water, yet at the same time not wanting to go home. great music got soul, the perfect balance, that keeps the heart pumping and the body dancing. deininger is about this certain temper, the groove, that makes you carry on.

sweet 16 is a perfectly judged slice of disco punk, producer grahmzilla hooking up a beat which sounds like the clash hanging out at studio 54 while isis tells of the joys and dangers of being sixteen and ruling the dancefloor. its not clear whether the natural stage genius (time out) is encouraging under age sex, cautioning against it or just suggesting engaging in some healthy exhibitionism. whatever the message she makes it sound great. cruise low is as low slung and bass heavy as you d expect from the title, isis whispering about popping the trunk with a mixture of enticement and threat. bonus track whateveruneed is an epic instrumental electro symphony from grahmzillas hard drive. ny mover and shaker eli escobar rounds out the package with a mix of sweet 16 which harks all the way back to planet rock...

young up start and london based enfant terrible l vis 1990 engineers bass fuelled dance music designed to make your ears bleed! a pioneer of his own hyper bass sound, that sonically fuses aspects of dance music that have inspired him over the last 6 years ?garage, electro, b more, ghetto tech and drum & bass, his sound is unmistakable. the majority of the l vis 1990 ep was made on his laptop, on the 8am train commute from brighton to london, and finished off at the stereo mcss studio in brixton. further musical affiliates are sinden, herve, duke dumont, switch et al, as well as math head aka passions ny, philadelphias starkey, and early dubstep pioneer vex d (planet mu), the latter of whom spoke of l vis? change the game as a track that really struck a chord, totally made me think about new ways of doing shit...

sebastien ist bekannt durch seine releases auf planet e, rush hour und gigolo. er wuchs mit dem sound von kraftwerk, giorgio moroder, prince und serge gainsborg auf. danach hatte detroit techno und chicago house einen grossen einfluzss auf ihn. sebastien hat bereits mit kirk degiorgio, kevin saunderson und fabrice lig gearbeitet. sebastiens zweite platte auf echocord colour enthält zwei perfekte dancefloortracks mit einem hauch von carl craig, omar s und dopplereffekt

black diamonds by codec & flexor was originally released in 2002 on forte, the label of the strongly deplored christian morgenstern. it was huge back then, and ever since its been a stand-out track in the sets of michel de hey. thats why now he decided to re-release the original with a version from the hottest remixer on the planet, gregor tresher. of course theres also michels very own re-rub

reissue of explorers super rare and hugely in demand self titled explorer lp. originally released in 1982 on the tiny german label x recordings, and never available in any format other than vinyl, this lp is packed with sought after gems such as megawar, no. 8 and the must have enjaw j which features highly on many a cosmic djs wants list. written and produced in germany by multi instrumentalist tony carey after he left stadium rockers rainbow and before his reincarnation as revered prog rock outfit planet p project, this obscure album has become a classic on the cosmic disco scene and an extremely sought after piece of vinyl.

already support from boys noize, james talk, markus kavka, glimpse, savas pascalidis, patrick batemann and many more... the follow-up to the first, very successful, remute-release zuendli , is all about hypnosis. the a-side is a strong house tune with many glamourous breaks and twists, while the b-side is breathtaking techno-whip which will just destroy all dancefloors on the planet. be careful: it s actually, literally m.a.s.s. h.y.p.n.o.s.i.s.!!!

massive 3x12incher! includes 12 brand new and ragin tarcks by the enzyme crew varying from mainstream hardcore floorfillers to devastating industrial tracks!!!

a huge tech house output!! the a side proposes >welcome to the moon<, a pure underground anthem with his instantly recognisable and wicked drum programming style. then the track drops a huge and energetic bass line with a screaming 90s rave-influenced synth loop. the dark voice rises among random effects giving that spacey atmosphere when the break push it up to the standout climax. are you house heads ready for this? the b side drives us to another planet >mars<.this progressive-tech track stands into dark-prog line. packed with loud bass this is another big room tune that everybody should play. the bass line rolls on a simple drum pattern giving to the synth the main objective to make you shout. then the whole track is served up by a constant acid line creating a sinister feeling to this club monster

ultraphat remixes by dubfire and danton eeprom... full of chicago-esque techno madness for the peak time

incl matt star rmx !! specially sorted out freaky tunes from the dermaptera lab for all minimal junkies on the planet. huge support for sure from the likes of ricardo, luciano etc.

incl rmxs by jay haze & ernesto ferreyra !! lomidhigh unlmtd is a platform for non earthly music and frequencies from distant galaxies, that has echoed down onto us here at planet earth. the label aims to release music that knows no boundaries. to create a home for a label that doesnt contain itself to one genre or time. music that experiments and pushes its own limits into new and undiscovered musical territories. taking influences from the past, and presenting them in a new form. lomidhigh unlmtd has its sights set on the endless limits of the universe, in which it can roam freely and not be contained by gravity or any other earthly presence. the main concept behind the label is to not pigeonhole itself. expect the unexpected. its aim is to give record stores a rough time deciding which genre to put the releases under. at a time where the world is in dire shape, we feel its time to get away from the world and float into outer space. once named the final frontier, the universe knows no limits. the perfect place to surf through the milky ways to distant galaxies, to hear moments of the past echoing into the future. lomidhigh unlmtd is stoked to present its first release. monotaxs debut, the argentinean band formed by dilo (aka elephant pixel), imi and zooey.

this is the 3rd sampler taken from drop musics incredible triple cd dusk till dawn (10 years of drop music). having recruited some the best house producers on the planet to contribute their celebration of 10 years of drop music. on this sampler its a whos who really, the littlemen, candy dealers, sound republic and the massive johnny fiasco.

brachial hard techno for fans of killaz & artillery

gerard hanson hails from the unlikely environments of dallas, texas usa. his music has influences from derrick may, stefan robbers, red planet and carl craig.. he released his first 12inch in 1995 on matrix / detroit. after that he released on labels like tektite recordings, down low, ai records, frustrated funk, frantic flowers and aw recordings. he is very careful about sharing his music with the rest of the world. in the last decade he only used the aliases convextion and e.r.p. (event related potential). e.r.p is an electro-edged moniker....

advanced underwater electronics by dj stingray. known for his collaborations with drexciya (as the official drexciyan dj), and also know for his works with carl craig (on retroactive and planet e as urban tribe) and his collabs with old time friends moodymann and more of the detroit house producers. this is some deep almost industrial electro techno from the motor city and stingray presents another double pack (after his release on richard james rephlex label recently) with some raw, no nonsens dark shit from a dark (and some say doomed) city!!

first support comes from hell, pig & dan and tony rohr

made to play brings the noise with the sounds of wearhouse music and head honcho lee mortimer. lee mortimers exciting, sleazy, demented take on house has been kicking the sh*t out of dance floors and festivals the world over. this e.p is not for the faint hearted but is for those who like to rock a big crowd in a ballistic way. when jimi hendrix played not just one but both sides of it at woodstock in the 70s the place went off its tits and when he reverted back to playing the guitar it just couldnt compare and he never quite got over that. lee mortimer is currently reveling in mass support from the likes of switch, claude vonstroke, diplo and kriss akabusi who apparently likes to play these tracks as a post love ritual, naked and chanting awooga! round the camp fire he has in his bedroom. if you want to embellish the feeling of either hendrix or akabusi in the primes of their existences then get stuck into this release and youll feel like a combination of the two peaking on acid.

this is quite simply one of the most glorious records you will hear this year. it would be easy to lazily reference it against classic period rephlex/planet mu stuff (oops, i just did!), and indeed it appears to share some of the same heritage (even going so far as to feature a remix of rephlex artist global goon in its tracklisting) - but chris leary aka ochre is obviously a man on his own mission. gorgeously lush, but at the same time super-funky…as electronic as kraftwerk starring in a remake of tron, yet somehow as pastoral and organic as edward elgar…much like his label-mate ed chamberlain, leary manages that tricky task of being supremely technical in his programming and arrangements, but without losing the heart and soul of the music amidst all the studio trickery. you know that old chestnut often said when referring to vintage or classic music, >they dont make them like that any more<? well they do…and here it is! simply fantastic.

vince watson der bereits eine ansehnliche liste von vÖs auf seinen konto hat (planet e, delsin, f communication), haut hier zwei klassische detroit-techno tracks mit Überlänge raus. perkussiv, hypnotisch & emotional

limited edition that includes all three records of the album...

great rmxs by alex attias ( planet e, compost black ) and touane ( persona) .. played by luciano, jimpster, dubfire, philip jung (m.a.n.d.y.), martin landsky, audiofly, laurent garnier, john digweed, motorcitysoul, stephan bodzin, deetron, ripperton, sasha and many more... next release on the main imprint, and its from none other than label head daniela stickroth

pierre j returns to the defected release schedule after a 5 year absence, powers that be funky planet being his last for the label. what a record to return with, this is instant impact from the pulsing bassline and accordion loop of the original through the pure thunderous roll of the hertz petter mix and exactly the potency of club music to send us out of the summer heat in to the last 3 months of 2008 where this cut is destined to rule for the full duration.

pierre j returns to the defected release schedule after a 5 year absence, powers that be funky planet being his last for the label. what a record to return with, this is instant impact from the pulsing bassline and accordion loop of the original through the pure thunderous roll of the hertz petter mix and exactly the potency of club music to send us out of the summer heat in to the last 3 months of 2008 where this cut is destined to rule for the full duration.

after a run of releases from more established artists, ed dmxs breakin records takes a step into the unknown with the debut single from norwegian jørgen indal , aka impakt . with a classic feel throughout, this ep runs the gamut of breakin styles from crisp electro, through to smooth spacey acid, through to drexciya-style techno-funk. indal is a young producer from trondheim who creates a wide variety of electronic music using ancient analogue machines and modern software instruments. you can hear detroit and cornish influences through the ep all polished up with impakts glacial sheen. tight uncluttered production from this new scandinavian talent, and dynamic mastering courtesy of matt ‘golden ears colton (planet mu, sandwell district, rekids, 20:20 vision) ensures that this release will cut through in any set